atlas-with-crystal-ball_dsc8496
cardboard-bot-w-early-computer_dsc3912
human-skeleton-2-with-robotic-legs_dsc8081
turtle-bot_dsc3969
atlas-with-bicycle_dsc8361
back-view-vest-helmet-and-tongue_dsc8184
atlas-getting-ready-to-turn-wheel_dsc8004
cooling-vest-2_dsc8143
atlas-walking-the-blocks_dsc7976
skeleton-wearing-exoskeleton_dsc8327
valkyrie-first-female-robot-close-up_dsc8274
atlas-laser-beam_dsc7967
scrabble-bot-playing-scabble-w-humans_dsc3910
valkyrie-with-feather-duster_dsc8254
scrabble-robot_dsc3873
vest-helmet-and-tongue-operator_dsc8211
valkyrie-with-knees-up_dsc8337
ViewHide Project Description

All Watched Over by Machines of Loving Grace


I like to think (and

the sooner the better!)

of a cybernetic meadow

where mammals and computers

live together in mutually

programming harmony

like pure water

touching pure sky.

I like to think

(right now please!)

of a cybernetic forest

filled with pines and electronics

where deer stroll peacefully

past computers

as if they were flowers

with spinning blossoms.

I like to think

(and it has to be!)

of a cybernetic ecology

where we are free of our labors

and joined back to nature,

returned to our mammal

brothers and sisters,

and all watched over

by machines of loving grace.

Richard Brautigan, 1967


Since 2006, Natal has been engaged with photographically contemplating the quality and state of futurity, post-nature and post-human, in hopes of illuminating the present moment and the choices we have yet to make. Questions like where and how will we live, how water, air and soil will sustain life, and what might we look like in the future define the conceptual framework for a trio of interrelated projects created with unmanipulated large format and digital SLR images, culminating in large scale archival prints.

Machines of Loving Grace (2011- present) is the third suite of images that sustains and intensifies Natal’s ongoing exploration of human nature. Here she wonders, in light of robotics, what will remain of our humanity in the future. Robotics originated in the realms of magicians, visionaries, science fiction, and theater, but now become the moral and ethical compass that is forcing us to examine what it means to be human, if for no other reason than to build more humane machines. Robots are a symbolic synthesis of humanity and machinery. They hold great promise for a better life, yet personify our fears of science and technology and what we may become. In our attempt to create life, like Frankenstein, we fear our own creations may turn on us. We may destroy ourselves through our machines or worse, we may become machines.  Our attitudes toward machines have evolved from resistance to resignation and ultimately acceptance, in what is being called the 2nd Industrial Revolution. Robotic technology is now so pervasive, and yet so overlooked, it is hiding in plain sight.

Natal engages with roboticists, theorists, researchers, and leading designers in the field, to explore the moral territory of humanoid robots, biomimicry that transforms the world by emulating nature’s designs, and interplanetary machines that examine quality of life issues in the not-so-distant future for able bodied, as well as compromised humans. The photographs portray our contradictory states of fear and relational desires that we project onto machines, offered up by sexbots, robotic baby and geriatric sitters, drones, and exoskeletons. Particularly while contemplating humanoid robots, I explore our range of emotional responses from aversion to love as we increasingly interact with machines in our own image. The resulting photographs challenge and assuage our ideas about what it means to be human and ultimately suggest that we may view humanoid robots as intelligent, social and moral beings, allowing us to develop substantial and meaningful relationships with these machines. Social robots will leap over the divide of the uncanny valley, once a huge obstacle in human-robot relations, as we become increasingly dependent and accustomed to human-machine interaction.

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